CTR 147 / 2011 “The Activist Classroom: Performance and Pedagogy” is now available at http://utpjournals.metapress.com/content/x37j0488g422/.
CTR 147 investigates the power of performance as a tool for critical thinking and social and political action within and beyond the university theatre studies classroom. Contributors offer reflections on a wide range of subject areas, texts, and techniques including: the use of improv in the eco-critical classroom, the values and limits of performance as a tool for teaching difficult texts in an English Lit context, the role of the mentor in shaping the next generation of Indigenous artists, and the challenges of “staging” race as a still-urgent category in courses increasingly populated by students uncomfortable with the term.
This issue contains:
Toward the Activist Classroom
Building the Activist Classroom: Learning to Collaborate, Learning through Performance in English 2470: Canadian Drama
Paige-Tiffany Beck, Lauren Moore, Kim Solga
Activist Awareness in the Theatre of the Oppressed Classroom
Applied Theatre and/as Activism
When the Audience is Ourselves: From Intellectual Argument to Visceral Experience
Minstrels in the Classroom: Teaching, Race, and Blackface
Natalie Alvarez, Stephen Johnson
A Pedagogy of Justice
Making it Up as We Go Along: Improvisation and Environmental Education
“A Precise Instrument for Seeing”: Remembrance in Burning Vision and the Activist Classroom
Creative Copying?: The Pedagogy of Adaptation
The ICE Approach: Saving the World One Broken Toaster at a Time
Grahame Renyk, Jenn Stephenson
“Elder up!”: A Mentor/Mentee Memoir
Elephants in the Classroom: A Forum on Performance Pedagogy
Marlis Schweitzer, Laura Levin, Cassandra Dee Ball, et al.
Accountable and Theatrical Acts of Witness: Queen's University DRAM 476 Testimonial Project Pieces 2010
Views and Reviews
Canadian Theatre Review is the major magazine of record for Canadian theatre. It is committed to excellence in the critical analysis and innovative coverage of current developments in Canadian theatre, to advocating new issues and artists, and to publishing at least one significant new playscript per issue. The editorial board is committed to CTR's practice of theme issues that present multi-faceted and in-depth examinations of the emerging issues of the day and to expanding the practice of criticism in Canadian theatre and to the development of new voices.
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