CTR 144, Fall 2010, Theatre in an Age of Eco-Crisis is now available at http://utpjournals.metapress.com/content/m26h44316vv8/.
This latest issue of the Canadian Theatre Review takes a lively, thought-provoking, and sometimes controversial look at the role of theatre with respect to some of the most pressing ecological issues of our time.
How do plays and performances respond to instances of species loss, climate change and environmental injustice? How do directors and critics respond to such plays? How do we create theatre that is more sustainable?
Co-editors Sheila Rabillard and Nelson Gray have brought together a community of artists, directors and scholars to address these questions from a wide range of perspectives. The result is both informative and inspiring: an engaging series of articles, artistic accounts, interviews and reviews on a topic of vital interest to everyone, along with a newly published script—The Eco Show–by Daniel Brooks, one of this country’s most celebrated theatre artists.


This issue contains:
Theatre in an Age of Eco-crisis
Nelson Gray, Sheila Rabillard
DOI: 10.3138/ctr.144.3


Kneading Marie Clements' Burning Vision
Theresa J. May
DOI: 10.3138/ctr.144.5



 “Yes to Everything”—A Conversation about Theatre and Ecology with Daniel Brooks, Marie Clements, Kendra Fanconi, and Karen Hines
Nelson Gray
DOI: 10.3138/ctr.144.20


The Burton Auditorium: A Sustainable Theatre at York University
James B. McKernan, Marlis Schweitzer
DOI: 10.3138/ctr.144.29


Complexion as Metaphor: Eco-Satire in The Pochsy Plays
Celeste Derksen
DOI: 10.3138/ctr.144.35


Xstine Cook and Spirit of White Buffalo
Allan Boss
DOI: 10.3138/ctr.144.42


Ground Rules: Live Performance and Eco-art
Denise Kenney
DOI: 10.3138/ctr.144.48


Atomies of Desire: Directing Burning Vision in Northern Alberta
Annie Smith
DOI: 10.3138/ctr.144.54



For more information, please contact CTR:
University of Toronto Press – Journals Division
5201 Dufferin St., Toronto, ON M3H 5T8
Tel: (416) 667-7810   Fax: (416) 667-7881
Email: journals@utpress.utoronto.ca

Sponsored by the Program for the Study of Women and Gender and the Lewis Center for the Arts Program in Theatre at Princeton University