7th International Laboratory "PHYSICAL THEATER, MASKS & CLOWN" 15th September – 4th October 2014 (BILBAO)

7th International Laboratory  "PHYSICAL THEATER, MASKS & CLOWN" 15th September – 4th October 2014 (BILBAO)

7th International Laboratory 

"PHYSICAL THEATER, MASKS & CLOWN"

15th September – 4th October 2014 (BILBAO)

ACCOMMODATION FREE (Limited number)

Special Edition Super Intensive !! 

 

7th International Laboratory 

"PHYSICAL THEATER, MASKS AND CLOWN"

September 15 – October 4, 2014 (BILBAO) 

ACCOMMODATION FREE (Limited places)

Super Intensive Special Edition !! 

 

(+ Information acerca PHILIPPE GAULIER 's Clown workshop in bilbao below) 

(+ Course Info Clown with PHILIPPE GAULIER in Bilbao below) 

 

7th International Laboratory of YINdeYAN:

"PHYSICAL THEATER, MASKS & CLOWN"

        www.yindeyan.com

(For Actors, Dancers, Directors, Choreographers, Teachers and other people related to physical work and Space I n previous editions we've had students from:. France, Australia, Brazil, Canada, England, Ireland, Argentina, Portugal, Switzerland, Germany, Italy …) (Classes will be held in Inglés & Spanish, With simultaneous translation)  

NEUTRAL MASK: Silent & Action Theatre  

LARVAE MASKS & DRAMATIC STUDY SPACE

FULL MASKS: Building characters and situations  

HALF MASKS: Commedie humaine & Passions

CLOWN: The pleasure of being ridiculous 

PHYSICAL THEATRE THEATRE AND Devising

(SUPER-INTENSIVE WORKSHOP, 8 hours / day)

 WHEN: 15/09/2014 to 04/10/2014 (TOTAL: 132h) 

Timetable: 09h-14h 15h-18h & Mon-Fri and 10am-14pm Sat.

WHERE: BILBAO —> FREE ACCOMMODATION (Limited)

PRICE:    € 690 for the whole 3 weeks

CANDIDATES: Send a full CV and a short letter of interest toyindeyan@gmail.com

For further information:   www.yindeyan.com

Paul Ibarluzea:

 Actor, Director and Theatre teacher with an extense international background. Teacher of theÉcole PHILIPPE GAULIER (Paris) and Clown of the CIRQUE DU SOLEIL. Graduated from theEcole International de Théâtre Lecoq (Paris) and Studies Escénics El Timbal (Barcelona).

 I've directed shows for several international companies like "Cirque de Legume" (Jury's Special Award at the Festival 1st Irish (off-Broadway, New York), Bewley's Theatre Awardat the Dublin Fringe Festival and on tour since 2009 Including Ireland, UK, Canada, USA, Spain …).

In 2008 I created YINdeYAN, where I Teaches international workshops in Physical Theatre, Clown Masks and for professional actors coming from all over the world. Also I've Taught different workshops in France, Ireland, England, Norway, Sweden, Brazil, Argentina, USA and Spain.

7th International Laboratory YINdeYAN:

"PHYSICAL THEATER, MASKS AND CLOWN"

www.yindeyan.com

 (Directed to Actors, Dancers, Directors, Choreographers, Set Designers, Educators and others involved in the work of the body and space In previous editions we have had students from France, Australia, Brazil, Canada, England, Ireland, Israel, Argentina , Portugal, Switzerland, Germany, Italy ….) (The classes will be taught in Castilian and English, with simultaneous translation)

 

NEUTRAL MASK: Theatre Theatre silence and action

MASKS larval and Study DRAMATIC SPACE

WHOLE MASKS: Building characters and situations

HALF MASKS: Commedia human passions

CLOWN: The pleasure of being ridiculous 

PHYSICAL THEATRE AND COLLECTIVE CREATION 

(SUPER-INTENSIVE COURSE, 8 hours / day)

 

DATES: 15/09/2014 to 04/10/2014 (TOTAL: 132h)

Hours: 09h-14h and 15h-18h and 09h Mon-Fri 14pm Sat.

PLACE: BILBAO —> FREE ACCOMMODATION (limited places)

PRICE: 690 € by 3semanas

APPLICATIONS: Send CV and a brief presentation text yindeyan@gmail.com

MORE INFORMATION: www.yindeyan.com

 Paul Ibarluzea:

 

Actor, Director and Theatre Educator com wide experience internationally. Professor at l'ÉcolePHILIPPE GAULIER (Paris) and the Cirque du SoleilClown. Graduated from the Ecole International de Théâtre Lecoq (Paris) andStudies Escénics El Timbal (Barcelona).

 

He has directed several shows for companies worldwide. These "Cirque de Legume" (Special Jury Prize at the Festival 1st Irish (off-Broadway, New York) and Bewley's Theatre Awardat the Dublin Fringe Festival (Ireland). On tour since 2009 including Ireland, England, Canada, Spain, United States …). He is the director of the shows "Konpota" and "GODOT"both selected by the network of public theaters SAREA the Basque Country.

 

In 2008 creates YINdeYAN Theatre, within which organizes and teaches courses on the Physical Theatre, Clown Masks and professional actors who have flocked students from over 15 different countries. He has also taught other courses in France, Ireland, England, USA, Norway, Sweden, Brazil, Argentina and Spain. 

THE WEEK AFTER STARTING AND …

AND AFTER STARTING THE WEEK … 

"Theatre is as serious as a child's game" – PHILIPPE GAULIER

 

Do not miss this opportunity to meet the Internationally acclaimed frenchPHILIPPE GAULIER Master Clown and his renowned workshop. This will be a good opportunity Also to visit the marvelous city of Bilbao and discover That there is much more than His famous Guggenheim Museum !!

 

WHEN: 6th to 10th October 2014

TIMETABLE: 10:00 to 13:00 and 14:00 to 16:00

WHERE: Room Bilborock, La Merced (BILBAO)

COSTS: 375 € (AISGE / EAB = 225 €)

Candidatures: www.stockumorea.com

Classes will be held in Inglés with simultaneous translation to Spanish

PHILIPPE GAULIER's Masterclass is Organised by Stock Umorea andYINdeYAN Theatre , Both international education projects for performing Arts located in the Basque Country,

With the colaboration of the Bilbao City Council

 "Theatre is as serious as child's play" – PHILIPPE GAULIER

Do not miss this opportunity to work with internationally renowned Master French PHILIPPE GAULIER Clown and his course. This is also a good opportunity to meet the wonderful city of Bilbao and discover it's much more than its famous Guggenheim Museum !

 

WHEN: From 06 to 10 October 2014

HOURS: 10:00 to 13:00 and 14:00 to 16:00

WHERE: Room Bilborock, La Merced (BILBAO)

PRICE: 375 € (AISGE / EAB = 225 €)

NOMINATIONS: www.stockumorea.com

Classes will be taught in English with simultaneous translation into Castilian

 

PHILIPPE GAULIER Masterclass is organized by Stock Umorea andYINdeYAN Theatre , both international projects Training in Performing Arts located in the Basque Country,

collaboration with the City of Bilbao

 

Circus Today in Catalonia: April 2014

Circus  Today in  Catalonia:  April 2014

Schedule 

Over the past few decades, it has become clear that the new style of circus is more than a passing fad. It is an ethical and aesthetic choice intrinsically linked to the life philosophy of a generation of artists who are increasingly moving away from the aesthetics and values of the past.

Nowadays, contemporary circus is as varied and multifaceted as the personalities of the people creating and performing it. As a performance discipline, circus has  always put technique, be it acrobatics or balancing acts, at the service of ideas and emotions. However, it has increasingly moved towards minimalism, a trend that is consistent with the fact that these days bold feats for the mere sake of being bold no longer represent the principal goal of artists or the main interest of audiences.

Though the natural ebb and flow of interest and the disappearance of venues do have an impact, but I believe these are only peripheral. Instead, I suspect that this tendency towards minimalism is mainly due to the fact that today’s generations of artists have reconnected with what drives human beings on a deep, basic level, and they wish to share it with spectators in an immediate and personal way. We’re currently seeing the proliferation of companies that put on small-scale shows in the ring or in small tents for a reduced number of spectators. The return to the ring marks a return to the circle, the most immediate and pure of all communicative spaces. There is a  lot of truth, a lot of personal experience in what these types of shows wish to convey. Obsessions, doubts, experiences, often transmitted through poetic language – what other language could it be? – that is as spontaneous as it is abstract.

The Mercat de les Flors presents a series of shows – pieces of distilled poetry – that vary greatly in terms of identity and style, but share an authenticity in terms of how they convey their authors’ message. At the  same time, they also provide an accurate look at a cross section of the tendencies dominating circus production in Catalonia and Europe today.

 Jordi Jané

The schedule of #CIRCDARA MATEIX is complemented by a range of activities in different areas of the city:

Dia Mundial del Circ, organized by ASSOCIACIÓ DE PROFESSIONALS DEL CIRC DE CATALUNYA (APCC)

Xerrades, trobada professional i portes obertes a LA CENTRAL DEL CIRC

Combinat de Circ i Lokal de risc a L’ATENEU POPULAR 9 BARRIS

Tallers de Circ en família organitzats per la XARXA D’ESPAIS DE CIRC DE CATALUNYA (XECC)

LEANDRE. Rien à dire al CENTRE CULTURAL TERRASSA

CIA. FILIGRANES. Desencaixats (assaig obert) i Càpsula de Circ EstruchBara L’ESTRUCH

Espectacle de la XIV promoció de l’escola de Circ ROGELIO RIVEL

CALL for PARTICIPANTS in Rediscoveries in One Act: New Approaches to Teatro Breve from the Spanish Golden Age

Join an interdisciplinary team exploring the Siglo de Oro’s instructive teatro breve – one-act plays with potent clues for building better ways to teach, stage, and research the richest script library known to history.

Teatro breve from the Spanish Golden Age (c. 1580-1680) includes satires and saint’s plays, star vehicles and character studies, musicals and thrillers, current-events commentaries and gripping meditations on metatheater, written by big-name playwrights – the cream of Spanish stagecraft, compressed for effective study.

In this working session, you’ll get up close and personal with selected entremeses (comic plays presented between the acts of a comedia), autos sacramentales (multilevel meditations staged for public celebrations of Corpus Christi), and their dramatic ancestors, while making significant contributions toward understanding them.

You’ll develop practical applications for incorporating teatro breve into your current work, you’ll pay particular attention to music and movement as tools for building meaning into performances, and you’ll actively engage in assessing, creating, and premiering performance-friendly translations of historically important, theatrically powerful one-acts.

You’ll join one of three teams:  Team Entremés, Team Auto Sacramental, or Team Translation.  Guided by session leaders (see list below) who bring you seasoned experience in a wide range of modern language and theater researches, you’ll collaborate with team members (dramaturgs, practitioners, teachers, and translators from all sorts of backgrounds) to:

Ø    read three one-act plays from the Spanish Golden age, post initial responses on the session’s wiki, and help your team select one play for detailed study (June-July);

Ø    thoughtfully consider context and criticism materials posted by team leaders (July-August);

Ø    compare translations/editions of plays selected for close study, and pose questions about them from performance, pedagogy, or critical perspectives (August-September);

Ø    write a brief position paper or a draft translation in response to questions posed, post this paper/translation on the wiki, and respond to team members’ postings (September-October);

Ø    synthesize discussion points/translation results into a presentation designed actively to involve others at the conference (October-November), and

Ø    present/perform highlights from your research, hear other teams’ reports, and participate in moderated discussion during ATHE’s conference in Dallas (November 7-10).

To bid for a role in this groundbreaking journey through little-studied territory, write us a short statement (350 words) about the skills, interests, and/or experiences that attract you to our exploration of teatro breve.  Please include a brief bio (50 words).  Send your statement and bio as MS Word attachments to teatrobreve2013@yahoo.com by June 3.

We hope to hear from you.  We assure you that complete newcomers to the field will be warmly welcomed.

Ben Gunter, Florida State University, teatrobreve2013@yahoo.com

Karen Berman, Georgia College, kbermanth@aol.com

Ian Borden, University of Nebraska-Lincoln, iborden2@unl.edu

Nena Couch, Ohio State University, couch.1@osu.edu

David Pasto, Oklahoma City University, dpasto@okcu.edu

Susan Paun de García, Denison University, garcia@denison.edu

Kerry Wilks, Wichita State University, kerry.wilks@wichita.edu

Amy Williamsen, University of North Carolina Greensboro, arwill25@uncg.edu

Jason Yancey, Grand Valley State University, yanceyj@gvsu.edu

 

The Actors Space near Barcelona Directing Workshop this Summer

http://www.actors-space.org/directing.htm

Hey everyone! Due to a high volume of demand The Actors Space is bringing back their Directing Workshop this Summer!

Watch a video short about it here:  http://www.youtube.com/watch?v=wKNLJ20bZxw&feature=player_embedded

Directing Performance 17th-23rd Sept.*
* Including arrival and departure dates

This new and unique workshop is for anyone that wants to direct Theatre or Film professionally. This workshop offers a hands on practical experience where Directors will work with Actors and Writing.

You, as a Director, will be able to develop your own approach to Creating Drama or Comedy, confidently guided by your own intuition and imagination and always within a solid structure:
You will learn how to direct actors by giving them a freedom and a structure at the same time, allowing them to create their best work.
You will learn to devise scenes and work up scripts. You will also learn how to recognize good writing and develop it (not everything is playable).
You will cover the basics of teamwork. You will also experience what is like to be directed.
You will fully experience the Creative Triangle: Writing, Acting and Directing.
Directors need to create a space and inspire an atmosphere where creative risks can be taken, without fear of failure and where effort and achievement can be recognized.

– What is the role of the director?
– Dramatic Motors/ Dramatic Situation
– Devising
– Scripts, Text and Subtext
– The Game and The Gap
– Conscious vs. Unconscious
– Characters motivation
– Directing the Scene and the Unseen
– Writing and Directing Writing
– Teamwork – Teamworks!

For more information please contact me at marian@actors-space.org or visit http://www.actors-space.org/directing.htm

 

CONVOCATORIA 18ª MITEU 2013

Queridas compañeras y queridos compañeros:

Os enviamos la ficha de inscripción de la 18ª edición de la MITEU (Mostra Internacional de Teatro Universitario de Ourense) con el deseo de que os interese participar y con la esperanza de que consigamos mantener la programación. Probablemente debamos reducir el número de funciones, pero trataremos de mantener la calidad de las propuestas seleccionadas.

En breve también os enviaremos desde el Aula de Teatro Universitaria de Ourense información del montaje para el año 2013: 

"SUICIDIO COLECTIVO CON ENCANTO", basado en DELICIOSO SUICIDIO EN GRUPO de Arto Paasilinna, una propuesta que trata un tema tabú como es el suicidio para poner al descubierto cuestiones muy duras que nos rodean, pero consigue hacerlo con humor y con una enorme dosis de energía para elevar un canto a la vida, fuera de los miedos y las amenazas que sufrimos, por si os interesase en alguna de vuestras programaciones.

Salud y adelante siempre.

Fernando Dacosta

miteuourense@yahoo.es

 

FICHA DE INSCRIPCIÓN 18ª MITEU 2013
EL 22 DE FEBRERO TERMINA LA RECEPCIÓN ANUAL DE INFORMACIÓN. A PARTIR DE ESE MOMENTO LA ORGANIZACIÓN REALIZARÁ LA SELECCIÓN EN UN MÁXIMO DE 15 DÍAS.
FECHAS DE CELEBRACIÓN: DEL 12 AL 27 DE ABRIL DE 2013

 

INFORMACIÓN NECESARIA:

– NOMBRE DEL GRUPO
– UNIVERSIDAD A LA QUE PERTENECE (O CON LA QUE TIENE CONVENIO)
– ESPECTÁCULO
– AUTOR/A
– DIRECTOR/A
– REPARTO
– FICHA ARTÍSTICA Y TÉCNICA
– NÚMERO DE PERSONAS DESPLAZADAS
– SINOPSIS DEL ESPECTÁCULO

OTRAS POSIBILIDADES:

– HISTORIAL DEL GRUPO
– MATERIAL GRÁFICO
– APUNTES DE DIRECCIÓN
– FOTOS
– VÍDEO O DVD
– OTROS

Las características de la MITEU son:

– Cobertura técnica (luz y música), alojamiento (2 noches) y manutención (Cena día de llegada; desayuno, comida, cena día de función; desayuno día de partida), a cargo de la organización para los actores y hasta un máximo de 4 personas más. Incluye, por tanto, a 2 o 3 técnicos y director/a o responsable.
– Desplazamiento a cargo del grupo que llega (es decir, vuestra Universidad)
En el caso de grupos de fuera de la Península Ibérica este capítulo es diferente.
– Por cuestiones de organización los espectáculos no pueden superar las 2 horas de duración.
– Hay un punto de encuentro al término de las representaciones y se potencian los encuentros con la prensa escrita y las radios.

Los espacios de actuación son:

– Teatro Principal
– Auditorio Municipal
– Sala de teatro de la Universidad 
– Calles de la ciudad
– Cafeterías-locales

Los espectáculos y actividades programados son:

– Teatro universitario gallego
– Teatro universitario de España y Portugal
– Teatro de fuera de la Península Ibérica
– Compañías profesionales
– Conciertos
– Exposiciones
– Conferencias

TeatroStageFest – June 1-25


TeatroStageFest – June 1-25

CELEBRATE the LATINO SCENE of NEW YORK at TeatroStageFest this June,  recommended by The Huffington Post only yesterday as  "…one of nine can't-miss arts and culture events happening across the country this summer!" (5/27/2012) 

 Entertaining theater, music and dance concerts, readings, master classes, puppetry and masks for kids.

Affordable fun for the entire family!

GET YOUR TICKETS at teatrostagefest.org 

JUNE 1-25:   

  • 39 Defaults by Fifth Wall Theater: Come to Liz's apartment. Prepare for a voyeuristic experience in a living room, where two strangers wrestle with attraction and suspicion. He is a Spanish political activist and she hides a secret… In English.
  • Muerte Súbita (Sudden Death) by Bridge Playhouse: Andrés is passionately writing his third novel and refuses to leave the abandoned building where he lives with his girlfriend Gloria until it is finished. His old friend Odiseo's unexpected arrival forces them to accept that sometimes destruction is necessary before creation can begin. With English super-titles.
  • American Jornaleros by INTAR Theatre: On a street corner in Queens, day laborers waiting to be picked up for work collide with two citizen vigilantes fashioning themselves on the Minuteman Project; a collision that may lead to a better understanding of why both groups are standing on the same corner. In English.
  • rasgos asiáticos/asian traces by Pregones Theater: a courageous portrayal of love between four generations of Mexican women and the historic confluence of China, Mexico and the U.S. In English.
  • Pájaro (Bird) by Gallinero Culeko Two traveling men who meet on the open road are inspired by a bird's flight to build a machine that will lead them to a safer place. This comical show is performed in Clown style by two recent graduates of Escuela Nacional de Arte Teatral in Mexico City. No spoken word.
  • The Coleman Family's Omission by Claudio Tolcachir. One of the most successful dark comedies to emerge from the vibrant theater movement in Buenos Aires that captures the unique ties and contradictions of the eccentric Coleman family. In English.
  • The Golden Cacao Bean by Fantastic Experimental Latino Theater and  Alita the Show by Solos2 Company – two TeatroStageFamily shows.
  • Javier Moreno Trio gives new energy to the international Jazz vanguard, and Limón Dance Company's premiere of Come With Me, by renowned Brazilian choreographer Rodrigo Pedemeiras and Paquito D'Rivera, acclaimed Cuban composer/musician.
  • Master Classes for Actors and Directors by groundbreaking director/playwrights from Argentina: Claudio Tolcachir and Mati­as Umpierrez.

For the full calendar of events, times/place of the shows, and ticket prices visit www.teatrostagefest.org 

For more info: 212.695.4010 

Karama Call for Entries 2012

Dear Collegues, Affiliates, Film makers and Karama Friends,

We would like to invite you to be part of Karama Human Rights Film Festival 3rd Edition 2012 organised by Ma3mal 612 Think Factory,  by asking you to circulate the Karama Call for Entries across your networks and if possible your websites and/or your facebook pages. Please refer to our website listed below to send your films and entry application.

Appreciating your precious collaboration.

Warm Regards,

Karama Team

Karama Human Rights Film Festival

info@karamafestival.org

www.karamafestival.org

www.facebook.com/karamafilmfestival

Artist in Residency: Calling Africa's Artists

 

Artists in Residency Programme (AIR)

Connecting Africa’s artists to residencies around the world. Click here to apply for AIR2012

The Africa Centre, together with artist in residency programmes in Australia, Brazil, Italy, the Netherlands, Spain, South Africa and the United States of America have partnered to create the Artist in Residency (AIR) 2012 programme.  The programme has been conceived to support artists from Africa who are provocative, innovative, relevant and highly engaged with both social issues and their art forms. 

AIR manifests through existing artist in residency partnerships around the world that are prepared to select an artist from a short list provided by the Africa Centre, created from a Continental search, for one of their 2012 or 2013 residencies.
The costs of the residency and roundtrip airfare are included in each residency award made as part of this programme.

The residencies are available to all types of artists, but each residency on offer has different durations, structures and requirements. We are taking applications between 1 April and 15 June 2012. 

To apply or to find out more about the ten residencies available, please Click here. If you have any queries please emailrobinj@africacentre.net

 The following artists have been awarded AIR 2011 residencies. Mouse over the artist’s name to find out more about the artist and what they have done or plan to do at the residency they’ve been awarded.

Bundanon Trust – Australia
Sacatar – Brazil
Zoma Contemp. Art Centre – Ethiopia
KulttuuriKauppila – Finland
Thamgidi Foundation – Netherlands
Caravansarai – Turkey
18th Street – United States of America
The Substation – South Africa

Yonamine Miguel – Angola
Damien Schumann – South Africa
Maurice Mbikayi – Democratic Rep. of Congo
Olivier Serge Fokou – Cameroon
Kiripi Katembo Siku – Democratic Rep. of Congo
Nina Liebenberg – South Africa
Nadine Hutton – South Africa
Ezra Wube – Ethiopia

E-Rang – Fortnightly Theatre Journal Issue 41 – BULLETIN BOARD

 

Jana Sanskriti's 'Muktadhara'

Dear Friends,

This is a special request from Jana Sanskriti Centre for Theatre of the Oppressed. We are going to organise our bi-annual festival called Muktadhara in the month of December. This year is also our 27th year of existence in a way this is going to be a very special moment for all of us in Jana Sanskriti, we want you to be by our side to celebrate together the 27 years of Jana Sanskriti. Last date of registration is 15 August, 2012. Please contact us on janasanskriti@gmail.com for details on how to register. Please note that the festival will begin with the workshop where participants will form groups. Each group will perform Forum plays in the performing part of the festival which will begin just the day after workshop is over. Looking forward to meeting you in Jana Sanskriti.

With love and in solidarity,

Sima Ganguly

Renuka Das

Satya Ranjan Pal

NB: Please forward this mail to your friends.

Cultural audiences Conference – Barcelona 19-20 April 2012

Dear friends

From the group of museums articketBCN, in Barcelona, we are organising this conference on audiences in culture, for professionals working in all cultural sectors. The main subject is how different cultural institution (specially musems) with lots of tourist as their main audience, reach out to local audiences. And from there, the strategies to favour the habit of culture going at local level.

As participants, there will be Steven Slos, cultural coordinatior of the city of Bruges, Paul Mosterd, deputy director of the Hermiatge Amsterdam, Berta Sureda, from the National Museum of Art Reina Sofía in Madrid, Marina Chinchilla, from Museo del Prado in Madrid, Anne Krebs from the Louvre Museum, Marta Clari form the cultural institution of the city of Barcelona, and Karen Bath from the National Gallery of London, among others.

We hope this programme can be of your interest, and we would appreciate it very much if you could resend it to those you might consider could also be interested.

Best regards,

Maria Ribas

MRIBAS@cccb.org

Convocatoria 17 MITEU Ourense

Queridas compañeras y queridos compañeros:

Os enviamos la ficha de inscripción de la 17ª edición de la MITEU (Mostra Internacional de Teatro Universitario de Ourense) con el deseo de que os interese participar y con la esperanza de que consigamos mantener la programación, si no en el número de las anteriores ediciones debido a algunos recortes presupuestarios anunciados, si en la calidad.

En breve también os enviaremos desde el Aula de Teatro Universitaria de Ourense información del montaje para el año 2012: 

"UN NUEVO MUNDO FELIZ", basado en UN MUNDO FELIZ de Aldous Huxley, una reflexión oportuna que alerta sobre lo que puede suceder en un futuro y que reflexiona sobre el control desde los diversos gobiernos y la pretendida uniformidad en nuestras maneras de hacer y de pensar, un espectáculo crítico y dinámico, con todo la energía que podemos ofrecer, por si os interesase en alguna de vuestras programaciones.

Salud y adelante siempre.

Fernando Dacosta

Contacto: miteuourense@yahoo.es

FICHA DE INSCRIPCIÓN 17ª MITEU 2012
EL 24 DE FEBRERO TERMINA LA RECEPCIÓN ANUAL DE INFORMACIÓN Y A PARTIR DE ESE MOMENTO LA ORGANIZACIÓN VALORARÁ LAS PROPUESTAS DURANTE UN MÁXIMO DE 15 DÍAS
FECHAS DE CELEBRACIÓN: DEL 13 AL 28 DE ABRIL DE 2012

INFORMACIÓN NECESARIA:

– NOMBRE DEL GRUPO
– UNIVERSIDAD A LA QUE PERTENECE (O CON LA QUE TIENE CONVENIO)
– ESPECTÁCULO
– AUTOR/A
– DIRECTOR/A
– REPARTO
– FICHA ARTÍSTICA Y TÉCNICA
– NÚMERO DE PERSONAS DESPLAZADAS
– SINOPSIS DEL ESPECTÁCULO

OTRAS POSIBILIDADES:

– HISTORIAL DEL GRUPO
– MATERIAL GRÁFICO
– APUNTES DE DIRECCIÓN
– FOTOS
– VÍDEO O DVD
– OTROS

Las características de la MITEU son:

– Cobertura técnica (luz y música), alojamiento (2 noches) y manutención (2 días), a cargo de la organización para los actores y hasta un máximo de 4 personas más. Incluye, por tanto, a 2 o 3 técnicos y director/a o responsable.
– Desplazamiento a cargo del grupo que llega (es decir, vuestra Universidad)
En el caso de grupos de fuera de la Península Ibérica este capítulo es diferente.
– Por cuestiones de organización los espectáculos no deben superar las 2 horas de duración.
– Hay un punto de encuentro al término de las representaciones y se potencian los encuentros con la prensa escrita y las radios.

Los espacios de actuación son:

– Teatro Principal
– Auditorio Municipal
– Sala de teatro de la Universidad 
– Calles de la ciudad
– Cafeterías-locales

Los espectáculos y actividades programados son:

– Teatro universitario gallego
– Teatro universitario de España y Portugal
– Teatro de fuera de la Península Ibérica
– Compañías profesionales
– Conciertos
– Exposiciones
– Conferencias

Open Call for Grants-Cultural Program 2012

The Cultural Department of the Consulate General of Spain in New York announces an OPEN CALL to apply for small grants for cultural projects taking place in the states of New York, New Jersey, Delaware, Connecticut and Pennsylvania in 2012. All proposals should be submitted to Águeda Sanfiz, Cultural Officer, by e mail, or postal mail no later than October 25th 2011 to the contact information provided below:

 Email: asanfiz@spainculturenewyork.org

Mail: Águeda Sanfiz. Cultural Department, Consulate General of Spain in New York.

150 East 58th Street Fl. 30. New York, NY, 10155

 

To be eligible for grants, please read carefully the guidelines below and fill the Proposal Form available on our website: http://www.spainculturenewyork.org/beta/cms/fileadmin/genericas_eventos/Open_Call-Application_form_2012.pdf

For any questions regarding this Open Call please contact the Cultural Department to the e mail address asanfiz@spainculturenewyork.org or by phone (212) 355 4080 Extension 3019.

PROPOSAL GUIDELINES                                        

1. Mission

All cultural projects submitted through this grant process should comply with the mission of the Cultural Department of the Consulate General of Spain in New York.

The Government of Spain – through the Cultural Department of the Consulate General of Spain in New York City, promotes Spanish culture, language, and art, and strives to strengthen bilateral cultural, artistic and academic exchanges.

 This Spanish-American cultural cooperation aims to create multiple links between artists and cultural institutions of both countries, and to promote Spain's contemporary creative and artistic expressions. The Cultural Department presents many cultural programs – featuring dance, music, visual arts, literature, film, theatre, humanities, science, gastronomy, architecture, fashion, and design – in a variety of venues, in collaboration with American entities, throughout the states of New York, New Jersey, Delaware, Connecticut and Pennsylvania. Therefore, the Consulate General of Spain will place special interest to projects resulting from a collaborative effort among several artist and arts organizations of New York and/or neighboring states.

All cultural and artistic activities supported by the Spanish Government in the US emphasize on diverse opinions and multiple forms of expression in line with Spain's own diversity in language, creativity and cultural heritage.

2. Eligibility:

a) Spanish nationals presenting projects in the states of New York, New Jersey, Delaware, Connecticut and Pennsylvania

b) Individuals and institutions from the US and other countries who are working with Spanish artist/s in projects that will be presented in the states mentioned above.

3. Time period:

All cultural projects subject to receive a grant through this Open Call should take place from January 1st 2012 to December 12th 2012

 4. Availability of funds

Funds will be available to the grantees only upon completion of the cultural project presented and awarded through this Open Call.

5. Notification

The resolutions for the application presented in this Open Call will be announced on an ongoing basis. All applicants will receive a response before March 1st 2012.

6. Changes and cancellations

The Cultural Department of the Consulate General of Spain in New York encourages all applicants to provide detailed information about the project presented through this Open Call, even if some components of it are subject to change within the upcoming months. However, all significant changes to projects awarded through this Open Call should be notified to the Cultural Department of the Consulate General of Spain in New York.

7. Additional information

This announcement, along with the Application Form, is published in the following link of our website:

Link: http://www.spainculturenewyork.org/beta/cms/press-corner/media-kit/