English language Authorial Acting Master’s Program (AAMP) at DAMU, Prague, Czech Republic. This program is officially opening for applications for fall 2016. They view performance first and foremost as creative public behavior. Terms and conditions apply.
Contact: howard.lotker@damu.cz for more information or via Skype: hlotker
Words without Borders: Contemporary Czech Prose
Words without Borders: Contemporary Czech Prose
This month we present new Czech prose.
Magdaléna Platzová recalls the end of a love affair and a life
Tomáš Zmeškal searches for his prodigal father
Petra Soukupová sees a family rocked by a devastating injury
And more by Jan Balabán, Radka Denemarková, Petra Hůlová, Jakuba Katalpa, Jiří Kratochvil,Martin Ryšavý, and Marek Šindelka,
With new writing on discovering literature from Valeria Luiselli, Abdel-Moneim Ramadan, and Can Xue
Looking to Get Involved?
WWB is Looking for a Development Intern
Find out more about applying over here.
WWB Events
Around the Globe: International Diversity in YA Writing
Where: New York Public Library, Main Branch, South Court Auditorium
When: Wednesday, December 10, 6:00 PM
Who: Padma Venkataraman, Arthur A. Levine, Briony Everroad, Marc Aronson, and Roxanne Hsu-Feldman
Words without Borders and the New York Public Library present a discussion of the vibrant and compelling world of international YA. Join our distinguished panelists, including Padma Venkataraman, Briony Everroad, Roxanne Hsu-Feldman, and Arthur A. Levine in a wide-ranging conversation about diversity and international voices in YA writing today, moderated by editor, author and professor of Library Sciences Marc Aronson. This event coincides with the launch of WWB’s December issue, dedicated to the best new YA writing from around the world, from countries including Georgia, Bangladesh, Germany, Norway, South Korea, and many more.
Co-presented by Words without Borders and the New York Public Library
News
The 2014 Words without Borders Gala and Globe Trot
Many thanks to all who came out to celebrate our eleventh annual gala and to help us toast Knopf editor and translator Carol Brown Janeway, who was awarded the 2014 James H. Ottaway Award for the Promotion of International Literature. Read more about the evening overhere.
The City and the Writer: In Kyoto with Brian Turner
By Nathalie Handal
Can you describe the mood of Kyoto as you feel/see it?
I was surprised to learn, in such a major city, that the pace of life in Kyoto moves much like the Kamagawa (the Kama River)—slow and steady, languid in the summer heat, with an occasional rush or hard current when the rains roll through. more>>>
Abby Margulies Reviews Joseph Roth'sThe Hundred Days
An achingly beautiful fictional account of the rise and fall of the Emperor Napoleon. more>>>
By Rachel Morgenstern-Clarren
"People comment that the letters were rabbinical, or fatherly, or godlike, even: very strong and quiet. Maybe the letters were chatty enough and he just wanted to be reassuring. I have a feeling that’s what he was doing, and I have a feeling that it worked, and they were reassuring."more>>>
Emma Garman Reviews Otfried Preussler'sKrabat and the Sorcerer's Mill
Preussler’s storytelling mastery and gift for atmosphere render this Bildungsroman-meets-Gothic horror both timeless and splendidly, creepily original. more>>>
Help Yourself: An Interview with Alona Kimhi
By Rohan Kamicheril
When I was young I read very funny books. I read very funny writers, and I loved it and it affected me. I fear boredom. Maybe it's not good because it's like being a clown. But I don't use humor out of a desire to be liked. I just need it to get myself going. And life is funny. more>>>
PRESS RELEASE: Krzysztof Czyzewski at symposium on culture, business, and diplomacy
F(O)UNDING CULTURE: THE EXPERIENCE OF CENTRAL EUROPE AND THE USA – An international symposium with Krzysztof Czyżewski
Czech Center New York
May 22, 2013
New York, May 10, 2013 —The Polish Cultural Institute New York is proud to join forces with The Czech Center New York, the Aspen Institute in Prague, the Austrian Cultural Forum New York, and our EUNIC partners to present Krzysztof Czyżewski, one of Poland’s leading thinkers about the idea of “deep culture” and its relationship to regional identity, at a one-day symposium on the role of culture in diplomacy and on how to support Central European culture on the international stage, entitled F(o)unding Culture: The Experience of Central Europe and the USA.
This symposium, featuring speakers such as political theorist Benjamin Barber (author of Jihad vs. McWorld), sculptor David Cerny, and Borderlands Foundation originator Krzysztof Czyżewski, will address the issue of supporting art, both financially and organizationally, using positive examples from the Central Europe and the United States. In two discussion panels, artists, civil servants, businessmen, art managers and philanthropists will discuss the meaning of art in public diplomacy and business now and in the future. How can we learn from the experience of the USA and Central Europe and secure a sustainable development in the field of art and culture? Is there a space for mutual cooperation among institutions or shall we rely on supportive individuals only?
Krzysztof Czyżewski is a social activist, theater producer, essayist, publisher and the founder and director of the Borderlands Foundation (Fundacja Pogranicze) in Sejny, Poland near the Lithuanian border. After graduating from Adam Mickiewicz University in Poznan with a degree in Polish literature, he co-founded in 1977 the world-renowned Gardzienice Theater Company in Lublin, which collects ethnographic materials from around the world to create what they call an "ethno-oratorial song theater." Czyżewski's methodology based on his work in theater involves whole communities, especially young people. His mission is to educate them to be community builders, and one of its first principles is that in order to shape the future one must first understand the past. Czyżewski has brought the Foundation's model to regions of ethnic tension around the world, such as Armenia, Bosnia, Georgia, Indonesia, Mongolia, and Tadzhikistan, initiating cultural projects to foster intercultural and inter-religious dialogue where peaceful communication has been obstructed by current or remembered ethnic conflicts. In 2008 he served as Polish Ambassador to the European Commission's European Year of Intercultural Dialogue. In May 2012, he was appointed Artistic Director of Wroclaw – European Capital of Culture 2016.
Organized by the Czech Center New York, the Aspen Institute in Prague, the Polish Cultural Institute New York, and the Austrian Cultural Forum under the auspices of EUNIC, the European National Institutes for Culture in New York.
PRESS CONTACT:
For pictures, more information and all inquiries, please contact David A. Goldfarb,
212-239-7300, x 3002, david.goldfarb@instytutpolski.org
SCHEDULE OF EVENTS
WHAT: Founding Culture: The Experience of Central Europe and the USA
A one-day symposium featuring speakers such as political theorist Benjamin Barber, sculptor David Cerny, and Borderlands Foundation originator Krzysztof Czyżewski to address the issue of support for the arts, both financially and organizationally, using good examples from the Central Europe and the United States.
WHEN: Wed, May 22, 2013, 2-7pm
WHERE: Bohemian National Hall, 321 East 73rd Street, New York, NY 10021
ADMISSION: Free; online registration required
Detailed program: http://www.aspeninstitute.cz/en/calendar/2013-05-22-f-o-unding-culture/
and www.PolishCulture-NYC.org
The POLISH CULTURAL INSTITUTE NEW YORK, established in 2000, is a diplomatic mission to the United States serving under the Ministry of Foreign Affairs of the Republic of Poland.
The Institute’s mission is to build, nurture and promote cultural ties between the United States and Poland by presenting Polish culture to American audiences and by connecting Polish artists and scholars to American institutions, introducing them to their professional counterparts in the United States, and facilitating their participation in contemporary American culture.
The Institute has been producing and promoting a broad range of cultural events in theater, music, film, literature, the humanities, and visual arts. Among its American partners are such distinguished organizations as Lincoln Center for the Performing Arts; Brooklyn Academy of Music; The Museum of Modern Art; The Jewish Museum; The PEN American Center; The Poetry Society of America; National Gallery of Art; Yale University; Columbia University; Princeton University; Harvard Film Archive; CUNY Graduate Center; Julliard School of Music; The New Museum; La MaMa E.T.C.; and many more. Our programs have included American presentations of works by such luminaries as filmmakers Roman Polanski, Andrzej Wajda and Jerzy Skolimowski; writers Czesław Miłosz , Adam Zagajewski and Wisława Szymborska; composers Krzysztof Penderecki, Witold Lutosławski and Mikołaj Górecki; theatre directors Krystian Lupa, Jerzy Grotowski, Tadeusz Kantor and Grzegorz Jarzyna; visual artists Krzysztof Wodiczko, Katarzyna Kozyra, Alina Szapocznikow; and many other important artists, writers, historians, scholars, musicians, and performers.
Prague Summer Theater School June 3rd to 21 – this year with Devising Site Specific Intensive
The Theatre Faculty of the Academy of Performing Arts in Prague (DAMU) is pleased to announce its fourth annual summer theatre school.
The Prague Summer Theatre School (PSTS) will run from June 3rd to June 21st 2013. Courses are in English and will take place at DAMU, located in the heart of Prague’s historical center.
In addition to my usual activities at PSTS, this year I will be teaching a three week devising site specific performance intensive with Central European site specific guru and my first teacher of the discipline Tomáš Žižka.
The PSTS provides theatre students and practitioners with a diverse, hands-on immersion in the principles and practices of authorial performance, nonverbal comedy theatre, mask making & performance, puppetry, set design, and site-specific theatre.
Applications are being accepted from January 14th to April 30th 2013. The PSTS admits qualified students on a first-come, first-served basis. Early applicants may receive a tuition discount.
For more information, please see our website – www.damu.cz/international/the-prague-summer-theatre-school – contact Alexander Komlosi alexander.komlosi@damu.cz, or Irena Feithová, irena.feith@gmail.com, Communications Coordinator.
Please kindly post this information and share it with anyone you may feel would be interested. (Docx and pdf attached.)
Thank you!
Regards,
Howard Lotker
Please reply to:
Alexander Komlosi, M.F.A., Ph.D.
Founding Director
Prague Summer Theatre School
Program Director
MA Authorial Acting (in English)
Theatre Faculty of the Academy of Performing Arts in Prague
(DAMU)
Karlova 26
116 65 Prague 1
Czech Republic
www.damu.cz/international/the-prague-summer-theatre-school
www.damu.cz/international/copy_of_ma-programmes-in-english/authorial-acting
www.interactingwiththeinnerpartner.org
CZECH THEATRE TODAY.CZ 2011/N-2 Now On-line
|
|||
CZECH THEATRE TODAY.CZ bulletin is published four times annually, CArts and Theatre Institute – Prague, 2011.
Published by the Arts and Theatre Institute in Prague Arts and Theatre Institute Celetná 17 | 110 00 Praha 1 www.idu.cz |
|||
The Czech team worked in BerlinJiří Adámek was a visiting director in Neuköllner Oper, Berlin and he staged Changemakers. He admitted performers, utterances, songs, drums and even a paper bird to a dark kettle of a theatre studio.
|
|||
The return of ParsifalThe ensemble of the National Theatre opera staged the premiere of Wagner's final opera Parsifal one month before Easter. This "Festival Play for the Consecration of the Stage"/"Bühnenweihfestspiel" as Wagner called his piece returned to the stage of the National Theatre after 97 years.
|
|||
An extensive monograph published on the occasion of Miroslav Melena's exhibitionThe Arts and Theatre Institute in cooperation with Teatrum Mundi o.s. has prepared an exhibition IN THE SERVICE OF THEATRE – Miroslav Melena / Scenographer and Architect which is held on June 8-28 on the premises of Prague's Old Town Hall. Miroslav Melena is without doubts one of the most significant contemporary Czech sceongraphers and theatre architects. The exhibition introduces both his scenography and architectural work.
|
|||
Too much opera?A question whether the Czech Republic is able to finance two state opera (and ballet) companies – one in the National Theatre and the other one in the State Opera Prague – has risen in the time of government cuts and various economic precautions at the end of the last year.
|
|||
The Prague Quadrennial crowned the seasonMany premieres took place in the past three months, i.e. in the last quarter of the theatre season. We choose the staging called SY prepared by director Jan Nebeský in MeetFactory, Prague, new Petr Nikl's performance I am Your Hare and Bad Clowns from Spitfire Company. Performance occupied an important place at the Prague Quadrennial and we also introduce Intimacy and Spectacle staged in Intersection.
|
|||
|
|||
Grotesque swaggerers at Theater in Dlouha Street (Divadlo v Dlouhé)In his production of Our Swaggerers (Naši furianti), one of the best known Czech realist dramas of the nineteenth century, director Jan Born invaded the stage at Theatre in Dlouhá Street (Divadlo v Dlouhé) with, instead of realism, grotesque.
|
|||
Nebeský's SY is for viewers who like to askDirector Jan Nebeský has staged his new performance SY in MeetFactory, Prague. He cooperated with people who are connected with this space – visual artist Michal Pěchouček, actor Karel Dobrý and dramaturg Jan Horák.
|
|||
Great Mastering of a Word BushDirector Hana Burešová develops not only common and significantly viewer-oriented repertoire but also her view of poetic theatre which is focused on a narrower circle of audience. It is even more difficult to stage Paul Claudel's The Break of Noon than her previous performances of Seneca's Phaedra and Calderón's The Surgeon of His Honour in Czech theatre environment where the meaning of poetic words is strongly suppressed.
|
|||
|
|||
OPERA Festival – thinking about Czech opera sceneTen professional opera theatres are in operation in the Czech Republic. The ensembles meet in Prague once in two years and they introduce their best stagings within the OPERA festival.
|
|||
A new circus that grows on theatre soilCircus La Putyka staged its new performance Up End Down just before Christmas. It introduced another attempt for new circus after a while (after the La Putyka performance). How has the new performance matured until its first re-run in March?
|
|||
Intimate spectacles of the Prague QuadrennialThe PQ took place in the name of grandness and megalomania. The programme was too wide that it was not possible for one person to see and perceive everything it offered. It was enriched by the Intersection project which becomes an inseparable part of Prague life.
|
|||
The profile of the Czech Republic 2011 has been published in the Compendium of Cultural Policies and Trends in EuropeThe second profile of the Czech Republic in the Compendium of Cultural Policies and Trends in Europe is currently available for download in Czech and English versions. Its author is Pavla Petrová, the director of the Arts and Theatre Institute.
|
|||
Newsletter bulletin is published four times annually. Copyright C Arts and Theatre Institute – Prague, 2011 Published by the Arts and Theatre Institute in Prague Arts and Theatre Institute Celetná 17 | 110 00 Praha 1 Czech Republic www.idu.cz ![]() |
CZECH THEATRE TODAY.CZ 1/2011
CZECH THEATRE TODAY.CZ
2011/N-1 Now On-line
The newsletter for those interested in the world of Czech Theatre and Dance
Published by the Arts and Theatre Institute in Prague
of Mr Broucek to the Moon for the second Janáček Brno 2010. more…
Jana Navrátová, Olga Fritová, Markéta Faustová, Roman Vašek: Dance
Kamila Černá, Jan Kerbr, Petra Ježková: Theatre / Drama
Nina Malíková, Kateřina Lešková – Dolenská: Puppet Theatre
theatre.cz bulletin is published four times annually, CArts and Theatre Institute – Prague, 2011.
Back issues of the theatre.cz bulletin can be downloaded from BULLETIN SECTION of theatre.cz.
Published by the Arts and Theatre Institute in Prague

CZECH DANCE PLATFORM 2011!
CZECH THEATRE TODAY.CZ 3/2010
On The Move – Newsflash 10/2010

October 25, 2010
www.on-the-move.org is a cultural mobility information network that aims to encourage and facilitate cross-border mobility and cooperation, contributing to building up a vibrant and shared European cultural space that is strongly connected worldwide. On-the-Move provides international cultural mobility information, engages in research, capacity building and advocacy mediating between the network members, other grassroots organisations and policy makers.
Please send your mobility news and opportunities to the Editor: info@on-the-move.org
You are welcome to use this information for non-profit purposes.
EU News
Grants for Mobility
Calls for participation
Training
Residencies
Meetings
Competitions
Regional focus: Asia
Mobility project space
Resources
Don't forget …
The News and Announcements section is constantly being updated. This Newsflash offers a selection of current items. If you are looking for opportunities for professional mobility, check the site regularly so you don't miss any deadlines.
New links and updates
NewsFlash archive
Subscribe / Unsubscribe
If you wish to subscribe to the On The Move mailing list we will send you our regular bulletin. Just send an e-mail to list-ON@on-the-move.org . To cancel your subscription, just send an e-mail to list-OFF@on-the-move.org. Feel free to forward this e-mail to colleagues and friends.
The Open Society Institute
![]() |
![]() German Centre of the International Theatre Institute |
![]() |
![]() |
||
![]() |
1st Global Conference: Trauma Theory and Practice – Call for Performance & Trauma Group
TWB members,For a specific group on performance and trauma contactKatherine Nigh: Katherine.Nigh@asu.edu
1st Global Conference: Trauma Theory and Practice Call for Papers
Call for Papers:
<http://www.inter-disciplinary.net/wp-content/uploads/2010/08/traumalogo.gi
f>
Monday 14th March Wednesday 16th March 2011
Prague, Czech Republic
<http://www.inter-disciplinary.net/wp-content/uploads/2010/08/tcfp.gif>
This inter-disciplinary and multi-disciplinary conference seeks to examine
and explore issues surrounding individual and collective trauma, both in
terms of practice, theory and lived reality. Trauma studies have emerged
from its foundation in psychoanalysis to be a dominant methodology for
understanding contemporary events and our reactions to them. Critics have
argued that we live in a ³culture of trauma². Repeated images of suffering
and death form our collective and/or cultural unconscious. This inaugural
conference seeks in particular to explore the relation between trauma,
memory and identity, both national and collective.
In addition to academic analysis, we welcome the submission of case studies
or other approaches from those involved with its practice, such as people in
the medical profession and therapists, victims of events which have resulted
in traumas on either an individual or mass scale, journalists or authors of
fiction whose work deals with trauma.
Papers, reports, work-in-progress, workshops and pre-formed panels are
invited on issues related to any of the following themes:
1. Public and Political Trauma
~ War and trauma, for example the Holocaust; the bombing of Hiroshima and
Nagasaki and ongoing conflicts, such as the Iraq War and the situation in
Afghanistan
~ Public disasters and trauma, e.g. responses to the Hurricane Katrina and
other natural disasters; school shootings; September 11th
~ Disease, public health and trauma aids, swine flu, and fears of
contagion
2. Personal and Individual Trauma
~ Bereavement
~ Murder and Assault
~ Domestic Violence
~ Child Abuse
~ Survivor guilt
~ Disability
3. Diagnosing and Treating Trauma
~ Psychotherapy, cognitive psychology and other psychological approaches to
treating victims of trauma
~ Psychiatry
~ Other medical approaches
~ non-medical approaches, for example, narrative approaches, music, art
4. Theorising Trauma
~ Trauma and post colonialism
~ Memory and trauma
~ National identity and trauma
~ Trauma studies and psychoanalysis
~ Individual versus Collective trauma
~ Cultural trauma
~ Gender and trauma
~ The body and trauma
~ External and internal trauma
5. Representing Trauma
~ Affect, trauma and art
~ Dramatizing trauma on screen and on stage
~ Media images: reality and fiction
~ literature and poetry
~ video games, violence and trauma
~ technology and trauma
~ reporting on trauma
~ the aesthetics and experience of trauma
~ fear, horror and trauma
~ Otherness and trauma
The Steering Group also welcomes the submission of pre-formed panel
proposals. 300 word abstracts should be submitted by Friday 1st October
2010. All submissions are minimally double blind peer reviewed where
appropriate. If an abstract is accepted for the conference, a full draft
paper should be submitted by Friday 4th February 2011. Abstracts should be
submitted simultaneously to the Organising Chairs; abstracts may be in Word,
WordPerfect, or RTF formats with the following information and in this
order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e)
body of abstract
Please use plain text (Times Roman 12) and abstain from using footnotes and
any special formatting, characters or emphasis (such as bold, italics or
underline). We acknowledge receipt and answer to all paper proposals
submitted. If you do not receive a reply from us in a week you should assume
we did not receive your proposal; it might be lost in cyberspace! We
suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Colette Balmain <mailto:cb@inter-disciplinary.net>
Hub Leader (Horror), Inter-Disciplinary.Net
Independent Scholar
United Kingdom
Rob Fisher <mailto:ttp@inter-disciplinary.net>
Network Founder and Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire, UK
The conference is part of the ŒAt the Interface¹ programme of research
projects. It aims to bring together people from different areas and
interests to share ideas and explore various discussions which are
innovative and exciting.
All papers accepted for and presented at this conference will be eligible
for publication in an ISBN eBook. Selected papers maybe invited for
development for publication in a themed hard copy volume(s) or for inclusion
in the Perspectives on Evil journal (relaunching 2011).
Style Sheets
In preparing your papers, please pay strict attention to the following style
sheets
* Download Oxford Style Sheet v7 (pdf)
<http://www.inter-disciplinary.net/publishing-files/Templates/Full%20Style%2
0Sheet%20Version%207.pdf>
* Download Oxford Reference Style Sheet 2 (pdf)
<http://www.inter-disciplinary.net/publishing-files/Templates/Oxford%20Style
%20Referencing%20v.1.5.pdf>
* Download Template document (Word)
<http://www.inter-disciplinary.net/wp-content/uploads/2008/12/template-ebook
-151.doc>