AAMP at DAMU, Prague

English language Authorial Acting Master’s Program (AAMP) at DAMU, Prague, Czech Republic. This program is officially opening for applications for fall 2016. They view performance first and foremost as creative public behavior. Terms and conditions apply.
Contact: howard.lotker@damu.cz for more information or via Skype: hlotker

Words without Borders: Contemporary Czech Prose

Words without Borders: Contemporary Czech Prose

This month we present new Czech prose. 

Magdaléna Platzová recalls the end of a love affair and a life

Tomáš Zmeškal searches for his prodigal father

Petra Soukupová sees a family rocked by a devastating injury

And more by Jan BalabánRadka DenemarkováPetra HůlováJakuba KatalpaJiří Kratochvil,Martin Ryšavý, and Marek Šindelka

With new writing on discovering literature from Valeria LuiselliAbdel-Moneim Ramadan, and Can Xue

Looking to Get Involved?

WWB is Looking for a Development Intern

Find out more about applying over here

WWB Events 

Around the Globe: International Diversity in YA Writing 

Where: New York Public Library, Main Branch, South Court Auditorium 

When: Wednesday, December 10, 6:00 PM

Who: Padma Venkataraman, Arthur A. Levine, Briony Everroad, Marc Aronson, and Roxanne Hsu-Feldman

Words without Borders and the New York Public Library present a discussion of the vibrant and compelling world of international YA. Join our distinguished panelists, including Padma Venkataraman, Briony Everroad, Roxanne Hsu-Feldman, and Arthur A. Levine in a wide-ranging conversation about diversity and international voices in YA writing today, moderated by editor, author and professor of Library Sciences Marc Aronson. This event coincides with the launch of WWB’s December issue, dedicated to the best new YA writing from around the world, from countries including Georgia, Bangladesh, Germany, Norway, South Korea, and many more.

Co-presented by Words without Borders and the New York Public Library

News 

The 2014 Words without Borders Gala and Globe Trot 

Many thanks to all who came out to celebrate our eleventh annual gala and to help us toast Knopf editor and translator Carol Brown Janeway, who was awarded the 2014 James H. Ottaway Award for the Promotion of International Literature. Read more about the evening overhere

The City and the Writer: In Kyoto with Brian Turner

By Nathalie Handal 

Can you describe the mood of Kyoto as you feel/see it?

I was surprised to learn, in such a major city, that the pace of life in Kyoto moves much like the Kamagawa (the Kama River)—slow and steady, languid in the summer heat, with an occasional rush or hard current when the rains roll through. more>>>

Abby Margulies Reviews Joseph Roth'sThe Hundred Days

An achingly beautiful fictional account of the rise and fall of the Emperor Napoleon. more>>>

An Interview with Liana Finck

By Rachel Morgenstern-Clarren

"People comment that the letters were rabbinical, or fatherly, or godlike, even: very strong and quiet. Maybe the letters were chatty enough and he just wanted to be reassuring. I have a feeling that’s what he was doing, and I have a feeling that it worked, and they were reassuring."more>>>

Emma Garman Reviews Otfried Preussler'sKrabat and the Sorcerer's Mill

Preussler’s storytelling mastery and gift for atmosphere render this Bildungsroman-meets-Gothic horror both timeless and splendidly, creepily original. more>>>

Help Yourself: An Interview with Alona Kimhi

By Rohan Kamicheril 

When I was young I read very funny books. I read very funny writers, and I loved it and it affected me. I fear boredom. Maybe it's not good because it's like being a clown. But I don't use humor out of a desire to be liked. I just need it to get myself going. And life is funny. more>>> 

PRESS RELEASE: Krzysztof Czyzewski at symposium on culture, business, and diplomacy

F(O)UNDING CULTURE: THE EXPERIENCE OF CENTRAL EUROPE AND THE USA – An international symposium with Krzysztof Czyżewski

Czech Center New York
May 22, 2013

New York, May 10, 2013 —The Polish Cultural Institute New York is proud to join forces with The Czech Center New York, the Aspen Institute in Prague, the Austrian Cultural Forum New York, and our EUNIC partners to present Krzysztof Czyżewski, one of Poland’s leading thinkers about the idea of “deep culture” and its relationship to regional identity, at a one-day symposium on the role of culture in diplomacy and on how to support Central European culture on the international stage, entitled F(o)unding Culture: The Experience of Central Europe and the USA

This symposium, featuring speakers such as political theorist Benjamin Barber (author of Jihad vs. McWorld), sculptor David Cerny, and Borderlands Foundation originator Krzysztof Czyżewski, will address the issue of supporting art, both financially and organizationally, using positive examples from the Central Europe and the United States. In two discussion panels, artists, civil servants, businessmen, art managers and philanthropists will discuss the meaning of art in public diplomacy and business now and in the future. How can we learn from the experience of the USA and Central Europe and secure a sustainable development in the field of art and culture? Is there a space for mutual cooperation among institutions or shall we rely on supportive individuals only?

Krzysztof Czyżewski is a social activist, theater producer, essayist, publisher and the founder and director of the Borderlands Foundation (Fundacja Pogranicze) in Sejny, Poland near the Lithuanian border. After graduating from Adam Mickiewicz University in Poznan with a degree in Polish literature, he co-founded in 1977 the world-renowned Gardzienice Theater Company in Lublin, which collects ethnographic materials from around the world to create what they call an "ethno-oratorial song theater." Czyżewski's methodology based on his work in theater involves whole communities, especially young people. His mission is to educate them to be community builders, and one of its first principles is that in order to shape the future one must first understand the past. Czyżewski has brought the Foundation's model to regions of ethnic tension around the world, such as Armenia, Bosnia, Georgia, Indonesia, Mongolia, and Tadzhikistan, initiating cultural projects to foster intercultural and inter-religious dialogue where peaceful communication has been obstructed by current or remembered ethnic conflicts. In 2008 he served as Polish Ambassador to the European Commission's European Year of Intercultural Dialogue. In May 2012, he was appointed Artistic Director of Wroclaw – European Capital of Culture 2016.

Organized by the Czech Center New York, the Aspen Institute in Prague, the Polish Cultural Institute New York, and the Austrian Cultural Forum under the auspices of EUNIC, the European National Institutes for Culture in New York.

PRESS CONTACT:

For pictures, more information and all inquiries, please contact David A. Goldfarb, 
212-239-7300, x 3002
david.goldfarb@instytutpolski.org

SCHEDULE OF EVENTS

WHAT:  Founding Culture:  The Experience of Central Europe and the USA

A one-day symposium featuring speakers such as political theorist Benjamin Barber, sculptor David Cerny, and Borderlands Foundation originator Krzysztof Czyżewski to address the issue of support for the arts, both financially and organizationally, using good examples from the Central Europe and the United States.

WHEN:  Wed, May 22, 2013, 2-7pm

WHERE:  Bohemian National Hall, 321 East 73rd Street, New York, NY 10021

ADMISSION: Free; online registration required

Detailed program:  http://www.aspeninstitute.cz/en/calendar/2013-05-22-f-o-unding-culture/ 
and www.PolishCulture-NYC.org

The POLISH CULTURAL INSTITUTE NEW YORK, established in 2000, is a diplomatic mission to the United States serving under the Ministry of Foreign Affairs of the Republic of Poland.


The Institute’s mission is to build, nurture and promote cultural ties between the United States and Poland by presenting Polish culture to American audiences and by connecting Polish artists and scholars to American institutions, introducing them to their professional counterparts in the United States, and facilitating their participation in contemporary American culture.

The Institute has been producing and promoting a broad range of cultural events in theater, music, film, literature, the humanities, and visual arts. Among its American partners are such distinguished organizations as Lincoln Center for the Performing Arts; Brooklyn Academy of Music; The Museum of Modern Art; The Jewish Museum; The PEN American Center; The Poetry Society of America; National Gallery of Art; Yale University; Columbia University; Princeton University; Harvard Film Archive; CUNY Graduate Center; Julliard School of Music; The New Museum; La MaMa E.T.C.; and many more. Our programs have included American presentations of works by such luminaries as filmmakers Roman Polanski, Andrzej Wajda and Jerzy Skolimowski; writers Czesław Miłosz , Adam Zagajewski and Wisława Szymborska; composers Krzysztof Penderecki, Witold Lutosławski and Mikołaj Górecki; theatre directors Krystian Lupa, Jerzy Grotowski, Tadeusz Kantor and Grzegorz Jarzyna; visual artists Krzysztof Wodiczko, Katarzyna Kozyra, Alina Szapocznikow; and many other important artists, writers, historians, scholars, musicians, and performers.

www.PolishCulture-NYC.org

Prague Summer Theater School June 3rd to 21 – this year with Devising Site Specific Intensive

The Theatre Faculty of the Academy of Performing Arts in Prague (DAMU) is pleased to announce its fourth annual summer theatre school.

The Prague Summer Theatre School (PSTS) will run from June 3rd to June 21st 2013. Courses are in English and will take place at DAMU, located in the heart of Prague’s historical center. 

In addition to my usual activities at PSTS, this year I will be teaching a three week devising site specific performance intensive with Central European site specific guru and my first teacher of the discipline Tomáš Žižka.

The PSTS provides theatre students and practitioners with a diverse, hands-on immersion in the principles and practices of authorial performance, nonverbal comedy theatre, mask making & performance, puppetry, set design, and site-specific theatre.

Applications are being accepted from January 14th to April 30th 2013. The PSTS admits qualified students on a first-come, first-served basis. Early applicants may receive a tuition discount.

For more information, please see our website – www.damu.cz/international/the-prague-summer-theatre-school – contact Alexander Komlosi alexander.komlosi@damu.cz, or Irena Feithová, irena.feith@gmail.com, Communications Coordinator.

 

Please kindly post this information and share it with anyone you may feel would be interested. (Docx and pdf attached.)

 

Thank you!

Regards,

Howard Lotker

 

Please reply to:

Alexander Komlosi, M.F.A., Ph.D.

Founding Director

Prague Summer Theatre School

Program Director

MA Authorial Acting (in English)

 Theatre Faculty of the Academy of Performing Arts in Prague

(DAMU)

Karlova 26

116 65  Prague 1

Czech Republic

e: alexander.komlosi@damu.cz

m: +420 776 072 092

www.damu.cz/international/the-prague-summer-theatre-school

www.damu.cz/international/copy_of_ma-programmes-in-english/authorial-acting

www.interactingwiththeinnerpartner.org

CZECH THEATRE TODAY.CZ 2011/N-2 Now On-line‏

logo

Newsletter
of Arts and Theatre Institute | 2011

 

CZECH THEATRE TODAY.CZ bulletin is published four times annually, CArts and Theatre Institute – Prague, 2011.
Published by the Arts and Theatre Institute in Prague Arts and Theatre Institute Celetná 17 | 110 00 Praha 1
www.idu.cz

The Czech team worked in Berlin

Jiří Adámek was a visiting director in Neuköllner Oper, Berlin and he staged Changemakers. He admitted performers, utterances, songs, drums and even a paper bird to a dark kettle of a theatre studio.

více

The return of Parsifal

The ensemble of the National Theatre opera staged the premiere of Wagner's final opera Parsifal one month before Easter. This "Festival Play for the Consecration of the Stage"/"Bühnenweihfestspiel" as Wagner called his piece returned to the stage of the National Theatre after 97 years.

více

An extensive monograph published on the occasion of Miroslav Melena's exhibition

The Arts and Theatre Institute in cooperation with Teatrum Mundi o.s. has prepared an exhibition IN THE SERVICE OF THEATRE – Miroslav Melena / Scenographer and Architect which is held on June 8-28 on the premises of Prague's Old Town Hall. Miroslav Melena is without doubts one of the most significant contemporary Czech sceongraphers and theatre architects. The exhibition introduces both his scenography and architectural work.

více

Too much opera?

A question whether the Czech Republic is able to finance two state opera (and ballet) companies – one in the National Theatre and the other one in the State Opera Prague – has risen in the time of government cuts and various economic precautions at the end of the last year.

více

The Prague Quadrennial crowned the season

Many premieres took place in the past three months, i.e. in the last quarter of the theatre season. We choose the staging called SY prepared by director Jan Nebeský in MeetFactory, Prague, new Petr Nikl's performance I am Your Hare and Bad Clowns from Spitfire Company. Performance occupied an important place at the Prague Quadrennial and we also introduce Intimacy and Spectacle staged in Intersection.

více

Grotesque swaggerers at Theater in Dlouha Street (Divadlo v Dlouhé)

In his production of Our Swaggerers (Naši furianti), one of the best known Czech realist dramas of the nineteenth century, director Jan Born invaded the stage at Theatre in Dlouhá Street (Divadlo v Dlouhé) with, instead of realism, grotesque.

více

Nebeský's SY is for viewers who like to ask

Director Jan Nebeský has staged his new performance SY in MeetFactory, Prague. He cooperated with people who are connected with this space – visual artist Michal Pěchouček, actor Karel Dobrý and dramaturg Jan Horák.

více

Great Mastering of a Word Bush

Director Hana Burešová develops not only common and significantly viewer-oriented repertoire but also her view of poetic theatre which is focused on a narrower circle of audience. It is even more difficult to stage Paul Claudel's The Break of Noon than her previous performances of Seneca's Phaedra and Calderón's The Surgeon of His Honour in Czech theatre environment where the meaning of poetic words is strongly suppressed.

více

OPERA Festival – thinking about Czech opera scene

Ten professional opera theatres are in operation in the Czech Republic. The ensembles meet in Prague once in two years and they introduce their best stagings within the OPERA festival.

více

A new circus that grows on theatre soil

Circus La Putyka staged its new performance Up End Down just before Christmas. It introduced another attempt for new circus after a while (after the La Putyka performance). How has the new performance matured until its first re-run in March?

více

Intimate spectacles of the Prague Quadrennial

The PQ took place in the name of grandness and megalomania. The programme was too wide that it was not possible for one person to see and perceive everything it offered. It was enriched by the Intersection project which becomes an inseparable part of Prague life.

více

The profile of the Czech Republic 2011 has been published in the Compendium of Cultural Policies and Trends in Europe

The second profile of the Czech Republic in the Compendium of Cultural Policies and Trends in Europe is currently available for download in Czech and English versions. Its author is Pavla Petrová, the director of the Arts and Theatre Institute.

více


 

Newsletter bulletin is published four times annually. Copyright C Arts and Theatre Institute – Prague, 2011 

Published by the Arts and Theatre Institute in Prague Arts and Theatre Institute Celetná 17 | 110 00 Praha 1 Czech Republic www.idu.cz 
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CZECH THEATRE TODAY.CZ 1/2011‏

CZECH THEATRE TODAY.CZ

2011/N-1 Now On-line

The newsletter for those interested in the world of Czech Theatre and Dance
Published by the Arts and Theatre Institute in Prague

DRAMA

The National Theatre in Prague staged a long-awaited premiere of Čapek's Makropulos Case directed by world theatre director, stage designer and light designer Robert Wilson in the Estates Theatre. more…

The Klicpera Theatre in Hradec Králové belonged to the most interesting Czech stages in the time when Vladimír Morávek was the artistic director (1995 – 2005). Now it seems that the theatre draws its breath again because art director David Drábek. more…

Director Jan Mikulášek has acquired reputation of one of the most promising talents of Czech theatre. more…

 

DANCE & BALLET
Come to Prague in the glorious springtime to see the best of Czech dance of recent seasons! more…

The autumn in Czech ballet was rich in new premieres. more…

Autumn and winter is a traditional period of premieres for Czech dance. We can speak about a harvest because we can add other projects like festivals and book publishing to premieres. more…

An evening full of new premieres by 420PEOPLE with choreographers Nataša Novotná a Václav Kuneš company ranked among awaited events. more…
Choreography Mah Hunt commenced this season in the Ponec Theatre prepared by Lenka Vágnerová – Pavel Mašek. Jakub Kopecký got involved in choreography by creating a set design, light design and costumes. The same trio comes with a new choreography. more…
Kateřina Stupecká is the last laureate of the Sazka Award for choreography Da Capo. Kateřina took the award "seriously" and she has chosen Thomas Moore's Dark Nights of the Soul as her inspiration. more…

 

November till 29 November 2010. In the recent years its final evening is held as a festival open to public. The competition is characteristic with a focus on classical music. more…
OPERA & MUSICAL THEATRE
A take-off of Czech opera houses was slower at the beginning of the new season. There was no great premiere and everything seemed to set to November which was a start of the second ambitious international festival Janáček Brno 2010. more…
The only dramaturg of Czech opera theatres. This is how people in the Czech Republic speak about a phenomenon when identical works are staged in all opera houses. more…
The ensemble of the National Theatre Brno prepared a staging of an impressive fantastic opera by Leoš Janáček called The Excursion
of Mr Broucek to the Moon for the second Janáček Brno 2010. more…
EXPERIMENTAL THEATRE / NEW FORMS

 

New Web is pleased to invite You to join Small Inventory Festival 2011. more…

Quixote topic, projects focused on a body and carnality, experiments with music and light and many others have cleft experimental theatre-like autumn and winter 2010. more…

 

PUPPET THEATRE

 

 

OTHER NEWS OF THE ARTS AND THEATRE INSTITUTE

The performance of the Year 2010 according to the Theatre Newspapers, State Awards and the Ministry of Culture Awards 2010 and much more… more…

 

 

Contributors:
Jana Navrátová, Olga Fritová, Markéta Faustová, Roman Vašek: Dance
Kamila Černá, Jan Kerbr, Petra Ježková: Theatre / Drama
Kateřina Řeháková, Barbora Dolejšová: Opera & Musical Theatre
Nina Malíková, Kateřina Lešková – Dolenská: Puppet Theatre
Jana Bohutínská: Experimental & New Forms Theatre
Martina Černá: News of ATI


theatre.cz bulletin is published four times annually, CArts and Theatre Institute – Prague, 2011.

Back issues of the theatre.cz bulletin can be downloaded from BULLETIN SECTION of theatre.cz.

If you would like to be removed from our list, click here

 

Published by the Arts and Theatre Institute in Prague

Arts and Theatre Institute
Celetná 17 | 110 00 Praha 1

 

 

 

CZECH DANCE PLATFORM 2011!

INVITATION TO THE CZECH DANCE PLATFORM 7 – 12 APRIL, 2011
Come to Prague in the glorious springtime to see the best of Czech dance of recent seasons!
 
We are pleased to invite you to the 17th Czech Dance Platform.

Over the course of one long weekend, Czech Dance Platform 2011 will present the most important dance and movement theatre performances premiered during the preceding year as the most successful pieces on both a local and international level. The event aims to chart the progress of Czech contemporary dance over the last year. Over a period of five days audiences will have the opportunity to see 14 works selected by Czech dance experts.
 
A detailed programme is attached – an updated programme and full descriptions of the performances and artists is available at our website www.tanecniplatforma.cz.
 
Should you be interested in attending the event please fill in the attached form BEFORE 8 March and send to the email: ilona@tanecpraha or just replay this email.

 
We hope to create an inspiring platform where Czech artists and international presenters, producers and organizers can meet, network and find new ways of collaborating.
 
The civic association of Tanec Praha will provide accreditations covering FREE TICKETS to all performances.
 
Due to the financial situation, we are unable to finance the accommodation for participants; however, we shall gladly book hotels for you in the vicinity of Ponec Theater (the prices under contract with Tanec Praha: single room ?45 per night, double room ?60 per night)
 
Would you please send us a completed registration form by March 8 at the latest; we cannnot guarantee the availability of free tickets if you send us the registration form after the deadline.
 
You are welcome to forward this invitation to other persons in your network who might be interested in attending Czech Dance Platform 2011.
 
We are looking forward to welcoming you in the Czech Republic this April!
 
Distributor:
Arts and Theatre Institute
Celetná 17 | 110 00 Praha 1
www.idu.cz
 
Organizer:
Tanec Praha o.s. | Česká taneční platforma | Czech Dance Platform
Office: Jirsíkova 4, 186 00 Praha 8-Karlín
Tel.: +420.224.817.886 | Fax: +420.222.319.576
GSM: +420.724.724.396
www.tanecniplatforma.cz, www.divadloponec.cz
 

INVITATION TO THE CZECH DANCE PLATFORM 7 – 12 APRIL, 2011
Come to Prague in the glorious springtime to see the best of Czech dance of recent seasons!
 
We are pleased to invite you to the 17th Czech Dance Platform.

Over the course of one long weekend, Czech Dance Platform 2011 will present the most important dance and movement theatre performances premiered during the preceding year as the most successful pieces on both a local and international level. The event aims to chart the progress of Czech contemporary dance over the last year. Over a period of five days audiences will have the opportunity to see 14 works selected by Czech dance experts.
 
A detailed programme is attached – an updated programme and full descriptions of the performances and artists is available at our website www.tanecniplatforma.cz.
 
Should you be interested in attending the event please fill in the attached form BEFORE 8 March and send to the email: ilona@tanecpraha or just replay this email.
> 
> We hope to create an inspiring platform where Czech artists and international presenters, producers and organizers can meet, network and find new ways of collaborating.
 
The civic association of Tanec Praha will provide accreditations covering FREE TICKETS to all performances.
 
Due to the financial situation, we are unable to finance the accommodation for participants; however, we shall gladly book hotels for you in the vicinity of Ponec Theater (the prices under contract with Tanec Praha: single room ?45 per night, double room ?60 per night)
 
Would you please send us a completed registration form by March 8 at the latest; we cannnot guarantee the availability of free tickets if you send us the registration form after the deadline.
 
You are welcome to forward this invitation to other persons in your network who might be interested in attending Czech Dance Platform 2011.
 
We are looking forward to welcoming you in the Czech Republic this April!
 
Distributor:
Arts and Theatre Institute
Celetná 17 | 110 00 Praha 1
www.idu.cz
 
Organizer:
Tanec Praha o.s. | Česká taneční platforma | Czech Dance Platform
Office: Jirsíkova 4, 186 00 Praha 8-Karlín
Tel.: +420.224.817.886 | Fax: +420.222.319.576
GSM: +420.724.724.396
www.tanecniplatforma.cz, 

CZECH THEATRE TODAY.CZ 3/2010

CZECH THEATRE TODAY.CZ

2010/N-3 Now On-line

The newsletter for those interested in the world of Czech Theatre and Dance
Published by the Arts and Theatre Institute in Prague

DRAMA

Guests from Denmark, Finland, France, Croatia, Iran, Italy, Lithuania, Hungary, Germany, Poland, Austria, Slovenia and the USA visited the Czech Theatre Showcase for foreign guests in 2010; they had the possibility to see 19 Czech stagings during 7 days. more…

Štěpán Pácl is a representative of the youngest generation of Czech directors. He works for chamber and big stages in the whole republic and his style of directing is significant for thorough reading of the text and precise directing of actors. more…

DANCE & BALLET
Summer festivals – Dance for schools – Dance Reviews more…
OPERA & MUSICAL THEATRE
6th Znojmo Music Festival that took place from 9th to 25th July. Every year is thematic; English Baroque music and its leading representatives Henry Purcell and Georg Fridrich Händel were the topic for this year. more…
The opera ensemble of the National Theatre in Prague prepared an anticipated and discussed premiere for the very end of the season Leading American director Robert Wilson staged Leoš Janáček's opera Káťa Kabanová. more…

Two works by composer Gioacchino Rossini appeared at the end of the season on Czech or – to be more specific – Moravian opera stages. more…
EXPERIMENTAL THEATRE / NEW FORMS

Spitfire Company cannot be overlooked on the map of theatre Prague. Its Untouchables draw from Virginia Woolf. more…

PUPPET THEATRE

Newsletter III/2010 more…

PRAGUE QUADRENNIAL NEWS

The 12th Prague Quadrennial of Performance Design and Space will take place from June 16th to June 26th, 2011 in Prague. For an overview of the event read PQ in brief. more…

OTHER NEWS OF THE ARTS AND THEATRE ISNTITUTE

Czech Performance Collection – Czech Theatre 26 – Czech Dance in Action 2010 and much more… more…

One of the primary missions of the Arts and Theatre Institute is to promote Czech culture abroad. Departments at the ATI publish various materials that introduce Czech theatre today and in a historical context to the public abroad. more…

Contributors:
Jana Navrátová, Roman Vašek: Dance
Kamila Černá, Jan Kerbr, Vladimír Hulec: Theatre / Drama
Kateřina Řeháková, Barbora Dolejšová: Opera & Musical Theatre 
Nina Malíková, Kateřina Lešková – Dolenská: Puppet Theatre
Jana Bohutínská: Experimental & New Forms Theatre
Nathalie Frank: Prague Quadrennial
Martina Černá: News of ATI


theatre.cz bulletin is published four times annually, CArts and Theatre Institute – Prague, 2010.

Back issues of the theatre.cz bulletin can be downloaded from BULLETIN SECTION of theatre.cz.

If you would like to be removed from our list, click here

Published by the Arts and Theatre Institute in Prague

Arts and Theatre Institute
Celetná 17 | 110 00  Praha 1

On The Move – Newsflash 10/2010‏

October 25, 2010

www.on-the-move.org is a cultural mobility information network that aims to encourage and facilitate cross-border mobility and cooperation, contributing to building up a vibrant and shared European cultural space that is strongly connected worldwide. On-the-Move provides international cultural mobility information, engages in research, capacity building and advocacy mediating between the network members, other grassroots organisations and policy makers.

Please send your mobility news and opportunities to the Editor: info@on-the-move.org

You are welcome to use this information for non-profit purposes.

EU News

Call for proposals and info sessions: "Strengthening capacities in the cultural sector" – People and Eastern Partnership Culture programme, 21 Oct/Brussels and 25 Oct/Kiev (deadline: 19 November)The objective of this call for proposals is to contribute to the creation of a political, regulatory, institutional and economic environment conducive to the strengthening of the cultural sectors and their actors as a vector for sustainable economic, social and human development.Call for proposals for flagship projects – European Year of Volunteering 2011 (deadline: 12 November)The purpose of this call is to support one or two flagship projects per Member State, which will receive a grant from the European Commission, in order to test and develop new and innovative schemes and approaches with a view to build long-term partnerships between civil society organisations operating in the area of volunteering. 

Grants for Mobility

danceWEB scholarship programme 2011, 13 July to 17 August 2011, Vienna, Austria (deadline: 15 December)The Scholarship Programme is a 5 week residency taking place every year in July – August in Vienna within the frame of ImPulsTanz festival. It offers around 65 young professional dancers and choreographers from mainly European but also from non European countries the possibility to take part in an intense multinational further training programme. 

Calls for participation

Studio 303 performances opportunities "In the Round" and "Mobilise", Montreal, Canada (deadlines: 15 November)Studio 303, a network of intersecting support and resource activities, providing a nurturing home base for independent artists proposes two calls for submissions for short works for shared programmes to take place in 2011.Salzburger Performance Tage 2011, 16 April, Austria (deadline: 15 December)Lange Nacht des Tanzes, a cooperation of ARGEkultur and Tanzimpulse Salzburg calls for productions for this event to take place on the 16th April 2011 in Salzburg, Austria.Open call for INVISIBLE CITY, May 2011, Schiedam, Netherlands (deadline: 8 November)Invisible City will take place in the beginning of May 2011. Artists and non-artists from all disciplines can apply with plans for new work or existing work. Working period: 10 days maximum on location.Call for entries danubeVIDEOARTfestival, March 2011, Grein, Austria (deadline: 1 December)Media and video artists from all over the world are invited to submit their works for the danubeVIDEOARTfestival #1 that will be held in March 2011 in Stadtkino Grein (Upper Austria). 

Training

Social protection of performing artists, 26 November, Brussel, BelgiumTraining session addressing the social protection of performing artists in Belgium from both an academic as well as a more practical perspective organised by the Faculty of Law – Clinics on EU Law 2010-2011, Leuven. Open Calls – Prague Quadrennial of Performance Design and Space, 16-26 June 2011, Czech Republic (deadlines: 30 October, 30 November, 15 January)The next Prague Quadrennial of Performance Design and Space, taking place in June 2011, 16-26, proposes several labs and workshops in a variety of performance design disciplines and genres – costume, stage, light, sound design, and theatre architecture for dance, opera, drama, site specific, multi-media performances, and performance art. 

Residencies

Community Arts Project Residency, Nka Foundation, Ashanti, Ghana (deadline: ongoing)Foundation Nka seeks submissions of creative projects designed to accomplish community ends. The Community Arts Residency project is a part of Nka Foundation’s Arts Village at Abetenim in the Ashanti Region (about 20 km from Kumasi), Ghana. 

Meetings

How to promote the mobility and internationalisation of cultural operators?, 23 November, Lisboa, PortugalThe International office of the Portuguese Ministry of Culture (GPEARI/MC) is organizing a seminar on the 23 of November in Lisbon to promote reflection on the main issues involving the mobility of artists and cultural operators as well as to disseminate among the Portuguese culture sector some of the networks, organisations and tools available to support internationalisation.Re:Imagining Cultural Space 17-19 November, Stockholm, Sweden (deadline for registration: 29 October)International conference and lab on the policy and practice of flexible art spaces and cultural organisations in Europe, organised by Intercult and Black/North Seas in collaboration with Culture Action Europe and Orionteatern (SE).Dance and Theatre from Europe. New impetus from the East, 5-6 November, Leipzig, GermanyIn the course of the 20th edition of the festival euro-scene Leipzig, this symposium plans to enrich the Europe-wide debate about artistic mobility and its disbalances stimuli and questions.International Conference on Creative Tourism, 9-10 December, Barcelona, SpainThe aim of this conference is to bring together researchers, urban planners, policy designers, artists, cultural activists and tourist professionals to assess the benefits of international collaboration in the rapidly developing field of creative tourism.Arts Funding – Artistic Freedom, European Council of Artists (ECA), 5-7 November, Zagreb, Croatia (deadline for registration: 14 October)ECA's annual conference 2010 to take place in Zagreb 5-7 November proposes to address fundamental questions such as: Is public funding a guarantee for a free and diverse arts scene? Is the market a possible way towards independent arts and artists? 

Competitions

5th International Art Prize Arte Laguna, March 2011, Venice, Italy (deadline: 16 November by mail or 10 December online)The International Prize Arte Laguna continues its course as "incubator of Italian and international young art", with the will to discover new talent, to support emerging artists in promoting their creativity and to develop their careers.18th Jeunesses International FLUTE Competition, 7-13 May 2011, Bucharest, Romania (deadline: 1 March 2011)The 18th Jeunesses International Flute Competition, 7 – 13 May 2011 is targeted at two age categories: up to 18 and 30 years old.The FutureEverything Award (deadline: 31 October)The FutureEverything Award recognises outstanding achievement for innovation in art, society & technology. It celebrates creative projects in any medium that offer a new and unique way to experience or see the world and help to bring the future into the present. 

Regional focus: Asia

Japan Foundation arts and cultural exchange programme 2011-2012 guidelines announced (various deadlines)The Japan Foundation supports exchange projects between Japan and other nations in three art genres: visual arts, performing arts and audio-visual arts as well as in publications and, in segments that enhance understanding of Japan through culture, cultural cooperation and civic/youth exchange. 

Mobility project space

Writers on the move, mobile traning programme (deadline: 7 November)The SPACE mobility project is providing a mobile European training programme for critics, journalists, theoreticians, who are writing about performing arts and who want to deepen their knowledge base and analyse and improve their work within an international context.Mobility Infopoint Mapping in ItalyThe study was carried out by Fondazione Fitzcarraldo, the Italian partner of PRACTICS, between 2009 and 2010.House for Open Mobility Exchange (H.O.M.E.)H.O.M.E. is a platform for self-organised non-formal exchange of artists working in public spaces.MusXchangeMusXchange aims at reducing a deficit in the training of young musicians resulting from a lack of support to short-term mobility programmes in professional orchestra and ensemble training.Artistic companionship throughout EuropeCompagnonnage artistique á travers l'Europe main goal is to create a network to provide structures for the spontaneous movement of artists and cultural workers and to improving their practices by encouraging them to acquire new skills through exchange. 

Resources

Artist Visa Applications: Arguments for SuccessHow do you argue when visa issuing offices and embassies continue to violate international recommendations and conventions? This Freemuse Quick Guide tackles various points set out in international conventions and recommendations to help you argue for smooth visa handling.Encouraging Collections Mobility – A Way Forward for Museums in EuropeEncouraging Collections Mobility is the ideal text for museum professionals, researchers and students who are determined to explore and research collections in order to open collection resources and learn more about European heritage.  

Don't forget …

The News and Announcements section is constantly being updated. This Newsflash offers a selection of current items. If you are looking for opportunities for professional mobility, check the site regularly so you don't miss any deadlines.

New links and updates

WE ARE MORE! Act for Culture in Europewe are more, a Europe-wide arts advocacy campaign (2010-2013) has been launched by Culture Action Europe this October.Crossing Borders: The state of artists mobilityA compilation of cases on the hurdles of artists mobility put together by three intersecting networks: Res Artis, freeDimensional and The Upgrade.

NewsFlash archive

OTM NewsFlash ArchiveIf you missed a newsletter or are looking for an item we featured some weeks or months ago, you can find previous copies of the NewsFlash here. These are presented for reference.

Subscribe / Unsubscribe

If you wish to subscribe to the On The Move mailing list we will send you our regular bulletin. Just send an e-mail to list-ON@on-the-move.org . To cancel your subscription, just send an e-mail to list-OFF@on-the-move.org. Feel free to forward this e-mail to colleagues and friends.

On-the-Move was set up by IETM in 2002. It is now an independent international association, on-the-move.org aisbl. 

German Centre of the International Theathre Insititute
German Centre of the International Theatre Institute
Finnish MinistryMinistry of Education – Finland
German MinistryFederal Government Commissioner for Culture and the Media – Germany

Roberta Levitow

1st Global Conference: Trauma Theory and Practice – Call for Performance & Trauma Group

TWB members,
For a specific group on performance and trauma contact
Katherine Nigh: Katherine.Nigh@asu.edu 

 

1st Global Conference: Trauma  Theory and Practice Call for Papers

Call for Papers:

 <http://www.inter-disciplinary.net/wp-content/uploads/2010/08/traumalogo.gi
f>
Monday 14th March  Wednesday 16th March 2011
Prague, Czech Republic

 <http://www.inter-disciplinary.net/wp-content/uploads/2010/08/tcfp.gif>

This inter-disciplinary and multi-disciplinary conference seeks to examine
and explore issues surrounding individual and collective trauma, both in
terms of practice, theory and lived reality. Trauma studies have emerged
from its foundation in psychoanalysis to be a dominant methodology for
understanding contemporary events and our reactions to them. Critics have
argued that we live in a ³culture of trauma². Repeated images of suffering
and death form our collective and/or cultural unconscious. This inaugural
conference seeks in particular to explore the relation between trauma,
memory and identity, both national and collective.

In addition to academic analysis, we welcome the submission of case studies
or other approaches from those involved with its practice, such as people in
the medical profession and therapists, victims of events which have resulted
in traumas on either an individual or mass scale, journalists or authors of
fiction whose work deals with trauma.
Papers, reports, work-in-progress, workshops and pre-formed panels are
invited on issues related to any of the following themes:
1. Public and Political Trauma
~ War and trauma, for example the Holocaust; the bombing of Hiroshima and
Nagasaki and ongoing conflicts, such as the Iraq War and the situation in
Afghanistan
~ Public disasters and trauma, e.g. responses to the Hurricane Katrina and
other natural disasters; school shootings; September 11th
~ Disease, public health and trauma  aids, swine flu, and fears of
contagion
2. Personal and Individual Trauma
~ Bereavement
~ Murder and Assault
~ Domestic Violence
~ Child Abuse
~ Survivor guilt
~ Disability
3. Diagnosing and Treating Trauma
~ Psychotherapy, cognitive psychology and other psychological approaches to
treating victims of trauma
~ Psychiatry
~ Other medical approaches
~ non-medical approaches, for example, narrative approaches, music, art
4. Theorising Trauma
~ Trauma and post colonialism
~ Memory and trauma
~ National identity and trauma
~ Trauma studies and psychoanalysis
~ Individual versus Collective trauma
~ Cultural trauma
~ Gender and trauma
~ The body and trauma
~ External and internal trauma
5. Representing Trauma
~ Affect,  trauma and art
~ Dramatizing trauma on screen and on stage
~ Media images: reality and fiction
~ literature and poetry
~ video games, violence and trauma
~ technology and trauma
~ reporting on trauma
~ the aesthetics and experience of trauma
~ fear, horror and trauma
~ Otherness and trauma

The Steering Group also welcomes the submission of pre-formed panel
proposals. 300 word abstracts should be submitted by Friday 1st October
2010. All submissions are minimally double blind peer reviewed where
appropriate. If an abstract is accepted for the conference, a full draft
paper should be submitted by Friday 4th February 2011. Abstracts should be
submitted simultaneously to the Organising Chairs; abstracts may be in Word,
WordPerfect, or RTF formats with the following information and in this
order:

a) author(s), b) affiliation, c) email address, d) title of abstract, e)
body of abstract

Please use plain text (Times Roman 12) and abstain from using footnotes and
any special formatting, characters or emphasis (such as bold, italics or
underline). We acknowledge receipt and answer to all paper proposals
submitted. If you do not receive a reply from us in a week you should assume
we did not receive your proposal; it might be lost in cyberspace! We
suggest, then, to look for an alternative electronic route or resend.

Organising Chairs

Colette Balmain <mailto:cb@inter-disciplinary.net>
Hub Leader (Horror), Inter-Disciplinary.Net
Independent Scholar
United Kingdom

Rob Fisher <mailto:ttp@inter-disciplinary.net>
Network Founder and Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire, UK

The conference is part of the ŒAt the Interface¹ programme of research
projects. It aims to bring together people from different areas and
interests to share ideas and explore various discussions which are
innovative and exciting.

All papers accepted for and presented at this conference will be eligible
for publication in an ISBN eBook. Selected papers maybe invited for
development for publication in a themed hard copy volume(s) or for inclusion
in the Perspectives on Evil journal (relaunching 2011).
Style Sheets
In preparing your papers, please pay strict attention to the following style
sheets
* Download Oxford Style Sheet  v7 (pdf)
<http://www.inter-disciplinary.net/publishing-files/Templates/Full%20Style%2
0Sheet%20Version%207.pdf>
* Download Oxford Reference Style Sheet 2 (pdf)
<http://www.inter-disciplinary.net/publishing-files/Templates/Oxford%20Style
%20Referencing%20v.1.5.pdf>
* Download Template document (Word)
<http://www.inter-disciplinary.net/wp-content/uploads/2008/12/template-ebook
-151.doc>